the battlefield
Jun 7th
half the battle if showing up. i am reading The War of Art by Steven Pressfield. the book is about the reality of Resistance. what we all have inside of us that prevents us from creating. prevents us from pursuing the mastery of the art that calls to each of us. prevents us from winning.
it’s an enjoyable read albeit a quick one. i started reading and didn’t put the book down until i was halfway through. it’s inspiring more than anything else. but not inspiring in the typical self-help-book sort of way in that it doesn’t inject you with self-esteem. it doesn’t stroke your ego or pet your pride. conversely, it kicks your ass. it reminds you that you ain’t shit. at least the way you are carrying on presently. it makes you want to prove it wrong. and furthermore gives you the tools to do so.
i woke up at 7am today and free-wrote for ten minutes then jumped on here to update this blog and will (after a quick caffeine run) work for an hour or two on my screenplay. none of that is particularly impressive. no huge feats here. but it’s not about that. it’s about showing up. being present to do the work. committing yourself to your own art the way you commit yourself to slaving for the success of others.
and the book hasn’t just affected my writing. i ran 3 miles before retiring for the evening after a full day yesterday. my november marathon isn’t going to run itself and i’ve finally decided to show up. not just to the race but to the training. to the conditioning. to the mental preparation. to the work.
i would definitely recommend picking up a copy of Pressfield’s book. if for no other reason than to remind yourself that you are loser. and begin the work required to truly win.
the art of sharing
May 28th
if someone would have told me 20 years ago that it would take me 3 hours to come up with something to write i would not have believed them. i used to write about any and everything. i have a stack of journals from my pre-pubescent years full of things that i now find so trivial. but back then those things made the world go ’round: what i or someone i looked up to was wearing that day. what my mother said we were having for dinner that night and how happy i was all day looking forward to it. what books i’d just ordered from the scholastic catalog.
i had mastered the art of sharing my thoughts. even if it was only with the pages of my black and white composition notebooks. today, i sit in front of a sheet of paper or in front of my laptop, stuck. i rule out every thought that comes to mind to share. i rob it of its importance or relevance with a touch of the delete button.
as we grow older and more bogged down with everyone else’s opinions of us and our work, we develop a tinge of cynicism. we collect doubt and assign it to ourselves even if the people who laid it on us did so in hopes of ridding themselves of it. then nothing is good enough. our art is great to us. but we are sure that that is just because we created it. we convince ourselves that it is trivial in comparison to all else that exists.
then we turn on our tvs and watch reality shows. we turn on our radios and hear trash from talentless people who are getting paid millions for saying nothing. we watch movies that could have been written by a third grader score big bucks in the box office. and even then, we never stop to question why we feel so insecure about the piece of ourselves we battle to share.
the task i am assigning myself is to produce works of art and share them before i can fully talk myself out of it. like now, and the fact that as soon as i finish typing this sentence i am racing to hit the Publish button before my finger slides over the Delete.
lovers only
May 17th
perched on my bed. Maxwell is singing about love is not a want/ love is now a need as only he can. in that desperately genuine whisper/whine. the water should be boiling for the rice but i haven’t turned the stove on yet. the kitten i rescued is curled in the crevice of my grandfather’s chair and a cypress bergamot candle is burning slowly, filling the air in my bedroom with a sweet grassy aroma. this ain’t for the war whore. strictly for the lovers only. lost and lonely. my jasmine green tea is cooling in the mug my brother and sister-in-law gave me when i married. it’s steam rising up away from my aged armoire. one day i’ll fix it. it’s paint is chipped and it’s doors never close right. i gotta shove ‘em. every time. don’t know why i keep trying to force them closed when i know they’ll just open again. one day i’ll fix it. this about a take it day-by-day. this about a wait that’s worth it baby. my husband is on his way home from work. the train never runs fast enough nights like this. when i wait to hear the door announce his return. ever since the way that you looked at me. love is not a want/ love is now a need. whirlwinds of thought chase each other around my mind, none catching. a storm is brewing. even as the sun is beginning to shine. not for the easy/ this ain’t bout that style. there’s an empty tangerine peel on the napkin next to me. it reminds me of the missing pieces and i wonder if those pieces are missing me. i think about happiness. i think about loving it enough to pursue it. through the trenches. with or without all those pieces. to be unafraid of where it may lead you. this is strictly for the lovers only. my tears soak my lap. for the lost and lonely. this is if you want to hold me. i blot them with the napkin and hear the door open.
running for my life
Apr 30th
I’m hitting the big 3-0 this year. (Wow, I am finally comfortable with divulging my age LOL) I call it the big 3-0 not because I look at it as the beginning of the end, but because I see it as the beginning. I know my thirties will be some of the best years of my life because I have come into my own power enough to know that I can make them just that. I can make my life whatever I want it to be. Something I wasn’t so much aware of in my twenties when I was more a victim of life’s circumstances lol. Being knocked around a bit by its tumultuousness. Now? I’ve learned a thing or two about riding the waves. So, I decided to compile a bucket list. No, not a list of things to do before I die, but a list of things I want to accomplish before I turn 30 on the last day of this year. I call it my “29 before 30″ list. Of course, item 30 would be seeing my 30th birthday which in and of itself is an accomplishment in the world we live in today. I haven’t decided if I am going to share my entire list (maybe at a later time) but I will share one of the things on my list.
I registered to run in the NYC 27-mile MARATHON. No, I’ve never run a marathon, or more than 3 miles for that matter. Yes, I am scared shitless. I attended a meeting for the Leukemia and Lymphoma Society (Team-In-Training) the other day. As you may or may not know, I’ve lost quite a few loved ones to cancer. I walked into the meeting knowing two things: 1. I’ve been looking to assist in the fight of the disease in some way, shape or form and 2. I wrote marathon down on my 29 before 30 list as one of the biggest fears I’ve decided to confront.
After hearing the stories of the cancer survivors–one who ran and FINISHED a marathon 8 days after finishing chemo–I have no choice in the matter. If they had the strength to fight this malicious disease and win, I knew I had the strength to run 27 miles for a great cause.
I’m excited, scared, emotional, courageous and anxious all at the same time. It’s a wonderful thing.
I am inviting friends, loved ones, and total strangers to share in this feat. I have to fundraise $1000.00 to claim my spot in the race and $3800.00 or more for the cause. Proceeds go toward furthering cancer research. Every little bit helps. SO please please please find the link to my fundraising page below and help donate towards this cause. I’d love for you to share in this special time with me as I prepare to run in honor/memory of my daddy, my sister, my two aunts and so many more that the disease has affected. Thanks in advance and Much Love! ♥
belief
Apr 26th
i have to believe in the goodness of humanity. it’s a necessity to exist during these times. i have to believe in the laughter and innocence of babies. that they all won’t grow up to be blind. i have to believe in the endurance of the trees and that of our ancestors. so that i can believe in mine. i have to believe in the kindness of strangers but more so the amount of themselves they find in me. i have to believe in something. as we all do if we aren’t to fall for everything we see. i have to believe in rainbows and silver linings but not in pots of gold. i have to cherish the three-leaf clovers rather than passing them over to search for the four-. i have to believe in you. but more than that, in me. i have to believe in the days i’ve forgotten and the days i’ve yet to see. i have to believe in the strength in numbers and the power in words. the love in others. the uprightness of her. i have to believe in a infectiousness of a smile so that even when it hurts i can. i have to believe in the might of one pair of shoulders but further the significance of one helping hand. i have to believe in the unseen because what we’re shown is so bleak. i have to be a ray of light every time i speak. i have to believe that what i believe matters and will be heard. it is only due to my belief that i continue to type these words.
** this did not begin as a poem. it came out rhyming but the thoughts were just flowing thoughts. prose. they chose their own fate.
diggy (while i dig out)
Mar 31st
i’m working on a few things. one being myself. the others: variations of my writing. so for now, i will post a few things that catch my eye or ear. keepin’ it kinda light because it’s pretty deep behind the scenes. i’ll share when i resurface.
SO. i’ve only reminisced over hip-hop for some time. i used to love h.e.r. but between the autotunes, ignorance and just complete lack of skilled ones, i’ve started a lengthy affair with alternative. in future posts i will share my thoughts on the person who is mouth-to-mouthin’ hip-hop in a real way: Jay Electronica (”Fuck that. Call [him] Jay ElecHannukah, Jay ElecYarmulke, Jay ElecRamadaan, Muhammad Asalaamica RasoulAllah, Supana Watallah through your monitor.)
but for now, this was cute. a lil’ freestyle from someone i would’ve never expected to have skills: Diggy Simmons. just check it and see if you agree.
Diggy – Made you look Freestyle (Flow Stoopid) from Diggy Simmons on Vimeo.
epiphany
Mar 17th
I realized knowing isn’t enough. I knew what I had to do. I took what I had to do and placed it in the part of my mind that holds the things I know. And there it stayed. So knowing wasn’t enough. It was not until I went there, to that place where my mind stores the things that I know and rummaged through its contents. For spring cleaning. To make room for the other things that I know now yet will act upon later. Because that is what I tend to do.
So I rummaged through. I sifted through. I sorted through.
I looked over what I know. What I knew. What I’ve known. And realized that there, in the things that I know, that I knew, that I’ve known, was the answer to everything I was sitting here acting as if I did not, never, had not.
No, knowing is never enough.
Acknowledging what we know, feeling it with our fingertips and putting it on is the thing.
Putting it on is the thing.
Feb 27th
Film-makers have earned millions in the box office by creating calamity on the big screen: End-of-the-world movies. We’ve flocked in droves to see them. Hoping what? That it will prepare us for what might happen? For the thrill? The special effects?
Well, here we are in 2010. We haven’t even made it in three months, yet we’ve already seen multiple back-to-back natural disasters. No theater needed. Haiti. Argentina. Chile. Japan. Hawaii. Human lives lost in the rubble or changed forever through injury. Homes destroyed. Whole cities brought to dust.
You have to be completely self-absorbed not to wonder: what’s next? And possibly more pressing of a thought: Is there any way I can help those affected? And more pressing still: Is there any way to prepare for the possibility of any of these tragedies directly affecting me or my loved ones?
You can’t help but to question your life when you see it so quickly taken from others. And not just the bare bones of life: the breathing. But everything as you now know it. What makes your life your life. The activities you do. The people you love. The things you possess.
What would your life be without all of it?
I finally took the time to see “Book of Eli”. I had heard mixed reviews but I enjoyed it. Though not necessarily in the whew-hew!-this-movie-is-fun-to-watch sense. I enjoyed the message. I think it paints an important picture; one that may help spark necessary questions in a lot of our minds.
What if everything goes to shit? I mean by the looks of things it’s clearly been heading somewhere in the general direction of shit. Would you all of a sudden become a cannibal? A thief? A savage? Would you remain civilized? Humane? Would you give a damn about anyone else? Or only your own survival? Would you be able to go on without all of your “things”? Your technology? Your designer handbags? Any of your luxuries? Or what about your family?
My point, and what I came away from the movie with, is: We are born alone. We get here with nothing. We die alone. We leave with nothing. Throughout our lives we either begin to take for granted all of the things we are blessed with or at the opposite side of the spectrum: make them our gods. Few of us master the ability to exist with all that we are given without clinging to them as if they are what make us who we are. Even fewer learn the humble lesson that to truly live is to serve.
The reason we feel so great when we commit charitable acts is because the people we give to the most through those acts are ourselves. The human race is connected and the energy we put into helping the next person or being just to the next person comes back to us immediately and ten-fold.
So. How do we prepare for the end of the world, if such a thing exists? We reach back to the beginning of our own. We become like children to enter the kingdom of heaven. We gain peace of mind and self by unlearning all of the ignorance. Cleansing ourselves of all the -isms. Humbling ourselves to a greater power. We contribute to the betterment of humanity and this Earth. And if you find yourself unable to think past yourself to consider any of this, well my friend, no need to worry about natural disasters; you’ve already committed suicide.
Feb 24th
thanks to my beloved, ms. good, for passing this blog (entry) on to me. it helps me know that i am not alone in the struggle to produce great work. it helps to know that. this has often times been my sentiment exactly. kudos to mr. pressfield.
Writing Wednesdays #28: Depth of Work
By STEVEN PRESSFIELD | Published: FEBRUARY 24, 2010
This is a topic I plan to address in a series of posts over the next few weeks. But first I want to thank every correspondent who took the time to write in response to last week’s “Help!” post. As I type this, we’ve had 69 Comments. This is absolutely amazing, and I thank everybody. Particularly for the detail of the responses. It really helps me. I’m traveling this week and the next so I won’t be able to send out signed “War of Arts” yet in gratitude, but I will as soon as I can. Gracias, everybody, for the overwhelming and very helpful response!Now to Depth of Work—and a confession. I’m not sure if it’s evident from my posts over the last couple of months, but I’ve been going through a crisis in my own work (see “Self-Doubt” and “Wrestling an Alligator,” among others.) Much of it has to do with depth of work, or rather the lack of it.
I’ve been shallow. Resistance has beaten me much too often. The culprit, oddly enough, has been success—and the urge that public recognition engenders to “expand.” If you glance around at this blog page, you’ll see that I have plunged over the last year into a cause that is partly political, partly military, and largely involves the attempt to influence events in the real world through direct personal participation. I love this cause, it’s a passion of mine; it has brought me great new friends (and we, by our efforts together, may even have nudged the pea a few centimeters down the trail.) But this type of enterprise is not healthy for a writer. I didn’t know that six months ago, or even two months ago.
Depth of work. This is where satisfaction comes from for people like me and you. This is the fun of the game; this is what it’s all about. This is why we all got into this business.
What is depth of work? Have you ever had one of those days at the gym where you go around yakking to your buddies, schmoozing and chilling. That is NOT depth of work. Have you ever tweeted, or checked your Facebook page, or succumbed to serial e-mailing? That ain’t depth of work either.
Jon Naber won four gold medals in swimming at the ’76 Olympics, all in world record times. I saw an interview with him right afterward. The reporter asked a very insightful question about a sport where thousandths of a second separate gold from everybody else: “What’s the difference between a good swimmer and a great one?” John Naber answered as follows: “In competition, almost immediately after you hit the water, you enter the Pain Zone. It hurts–and it gets worse every meter you go. The great swimmers,” John Naber said, “are the ones who can go deeper into the Pain Zone and stay there longer.”
That’s depth of work. In my experience, depth of work consists of two components. The first is recklessness; the second is discipline. Dionysian; Apollonian. Passion;reason.
Recklessness means putting out of your mind all thoughts or fears of the opinions of others—and even the opinion of yourself. It means jumping off the cliff. In acting, it means uncorking a fearless performance, where you risk looking like an absolute fool in an effort to get to the deepest, truest levels of the character. In writing, it means letting it rip on the page, trusting the Muse and following your instincts. It means spewing sometimes. Free-associating. Going for it.
Then comes the hard part: appending reason. Discriminatory intelligence. Now we have to ask the really hard questions. What is this stuff all about? What am I trying to do? What is the deepest truth underlying this?
I read a story once about Barbra Streisand at a recording session. She did take after take of the same song. The reporter telling the story said he couldn’t tell the difference between Take One and Take Two, or even Take One and Take Nine. But, he said, he could tell the difference between Take One and Take Sixteen. Obvious Ms. Streisand could tell. That too is depth of work.
What we’re talking about here is head-banging, non-glamorous, nut-busting labor. It’s lonely. It hurts. It drives everybody else crazy. It requires tremendous professionalism and courage (or, perhaps more accurately, stubbornness and mulishness) and control of our emotions and our fears.
The analogy of the gym is a good one, I think. Because one thing the gym teaches is that “you have to train to be able to train.” Meaning you can’t go in, Day One, and start bench-pressing the same weight Reggie Bush benches. You have to build a base of strength slowly, over time, being careful not to set yourself back by injury, impatience or boredom.
In other words, depth of work requires—in addition to recklessness and reason– commitment over time.
I’m reading a really interesting book right now by Michael Bungay Stanier called Do More Great Work. Mr. Stanier starts by citing Milton Glazer’s axiom that we all do three kinds of work: bad work, good work and great work. One of the “map exercises” in the book (a very interesting graphic technique that helps you understand what you really think or really want) asks you how much great work you’re doing. It’s a pie chart. I thought about myself. I’m doing about 0.01 great work right now. It’s such a tiny sliver of the pie, I can’t even draw it.
Another exercise in the book asks you to recall a time when you were doing great work. Here’s one for me: I had taken a month, by myself, and was renting a cottage on a farm in the highlands of Scotland. I was writing Tides of War then, which was a really difficult book about a ridiculously obscure subject. I loved it. I would work in my freezing little room in the cottage the morning, then play golf in the afternoon. It was great. I got in some really intense, long work sessions (because the days are so long in Scotland, you can play golf in the summertime till nine at night.)
Those mornings were depth of work. I had momentum, I had commitment over time; I was busting my butt and really going deep, into a subject that I loved and that I didn’t care whether anybody else was interested in or not.
Those days seem distant to me now. I’m shallow these days; my focus is scattered. I’m schmoozing at the gym; I don’t have momentum. I hate it. It sucks. I have to change. I have to get a handle on this and dig myself out.
I’m not complaining. Don’t get me wrong. I’m sharing this state of mind here on this page, so that anybody who has read The War of Art and imagines that the guy who wrote the book has conquered Resistance (while he, the reader, is still struggling with it) will be disabused of such a silly notion and will not beat himself up over it. I’m as human as the next guy and I take the gaspipe too sometimes just like everyone else.
Working deep is the answer for me. To be happy, to feel good about myself, to not feel guilty about sucking up my share of oxygen on the planet. I have to get back to it.
